Financial situation: Coming from a relatively poor family, he lived in poverty at the beginning of his career.In a career spanning 60 years, he produced more than 4,000 artworks (more than the works of Manet, Cézanne and Degas combined), always retaining his original and shimmering style.įrédéric Bazille, Portrait of Renoir, 1867. Under the influence of Monet, he learned to render the effects of light, a technique that would make him world famous, particularly thanks to the masterpiece Bal du Moulin de la Galette, painted in 1876 and purchased by his friend and patron, Gustave Caillebotte. He met his fellow artists in the studio of the esteemed Charles Gleyre, which they left together, by consensus, to experiment with open-air painting on the banks of the Seine or in the forest of Fontainebleau. Auguste Renoir, the intimate friendĪuguste Renoir (1841 - 1919) is, with Monet, Bazille and Sisley, one of the founding fathers of Impressionism. Quote: "The motif is something secondary, what I want to reproduce is what is between the motif and me."Ĭlaude Monet, Japanese Footbridge and Water Lily Pool, Giverny, 1899.Places of pilgrimage: His (very) flowery house in Giverny, Normandy the Musée d'Orsay, the Musée Marmottan-Monet and the Musée de l'Orangerie which hosts his most beautiful variations of water lilies (Paris).Close relations: Auguste Renoir (with whom he painted regularly on the banks of the Seine), Frédéric Bazille (who helped him financially and lent him his studio), Camille Pissarro (with whom he took refuge in London to escape the ravages of the Franco-Prussian war), Alfred Sisley (at whose house he regularly dined), Eugène Boudin (his Norman mentor), Gustave Caillebotte, Paul Cézanne, Durand-Ruel (the dealer who trusted him), Edouard Manet (whose revolutionary spirit inspired him enormously), Berthe Morisot, Emile Zola.Favorite themes: Landscapes, natural elements (especially waterlilies), monuments, outdoor scenes, portraits.Financial situation: Poor during the beginning of his career, he was helped by his friends (Bazille, Manet, Caillebotte), some rare collectors (Charles Ephrussi, Victor Chocquet, Ernest Hoschedé.) and art dealers (Durand-Ruel, le Père Tanguy).Shown at their first joint exhibition in 1874, this painting inspired a famous art critic to use the term "Impression" to bring together a group of artists (and friends) who practiced this new way of painting under the same banner.Ĭlaude Monet, Impression, Sunrise, 1872-73. ![]() This artist from Normandy ticks all the boxes, and it's thanks to one of his most popular paintings, Impression, Sunrise, that Impressionism is called Impressionism. It corresponds to the standards of impressionism as we understand them today: break with academism, subjective apprehension of the subject, outdoor painting, use of bright colors, dilution of shapes and outlines.Īuguste Renoir, Portrait of Claude Monet, 1875. ![]() His multiform work is without a doubt the most representative of the movement. Why? Certainly, because he was the most productive, the most extroverted (he knew everyone), the most inspiring and the most inspired. ![]() Paiva and Pitak Thapan prefer a classic impressionist style, while Teodoro Reque Liza and Puntip Fooyat bring their own interpretation to the study of light.Some of them will be familiar to you, others will be unknown, and yet they all had a key role in the emergence of the most famous artistic movement of the last two centuries: Welcome to the final article of our Impressionist saga ( EP1, EP2).Ĭlaude Monet (1840 - 1926) is the superstar of Impressionism. Flowing water and rustling leaves were especially popular themes.īoth the technique and the beautiful, evocative style live on in the 21st century. Thus, landscapes were often painted directly from nature in plein air, or outdoor daylight. Subject matter became neutral and impartial as impressionist artists sought a scene’s potential for exploitation of color and light. At the same time, some think that impressionism responded to the challenge of photography – painting had to be rescued from competition with the camera. Patches of shimmering, luminous colors come together in a flickering patchwork it is the eye that does the work.Īs a science, optics made great strides in the last half of the 19th century, and its color laws influenced art. Impressionism is about light and its effect as painters capture an instant on canvas.
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